Showing posts with label Copyright Amendment Bill. Show all posts
Showing posts with label Copyright Amendment Bill. Show all posts

Sunday, 21 June 2020

Afro Leo

Copyright reforms likely unconstitutional says SA President in major decision

The President of South Africa has made a much-awaited announcement regarding the controversial Copyright Amendment Bill and Performer’s Protection Amendment Bill in South Africa. His decision to refer the Bills back to the National Assembly is because they “may not pass constitutional muster” and could be at risk of being set aside by the courts.
The reasons:
  • Incorrect tagging –the Bills were incorrectly tagged as section 75 Bills when they are section 76 Bills that affect cultural matters and trade.
  • That the Bills will enact law that may be retrospective and arbitrary deprivations of property. Copyright owners will be entitled to a “lesser share of the fruits of their property than was previously the case” and there is uncertainty as to how it would operate.
  • A failure to consent on the material amendments including the fair use provisions.
  • Impermissible delegation of legislative authority to the Minister regarding the deprivation of property i.e. copyright from those to whom it was assigned in the past.
  • Several new exceptions constitute:
    • arbitrary deprivation of property and violate the right to freedom of trade, occupation, and profession.
    • may conflict with international treaties signed by South Africa.
For these reasons the National Assembly is requested to consider “the Bills afresh so that their objectives can be realized speedily and without the risk of any constitutional challenge”.

Afro Leo spoke with Afro Chic who has been following the developments on CAB very closely: “I wonder what different outcome would have been achieved had a different process taken place? What is clear from this is that copyright is considered “property” for the purposes of Section 25 of the Constitution. This has potentially far reaching implications in the current context of national debate on appropriation of property without compensation in the land reformation process. One wonders what, potentially unintended, consequences may come from that.”
Stephen Hollis, Adams & Adams, who has been a crusader for a number of trade associations that do not support the Bills in their current form is delighted, citing this as “a huge win for the creative sectors” whilst at the same time commenting that “now the real work begins”. Stephen should also be delighted because much of reasoning in the President’s communication was extracted directly from submissions that were carefully prepared by him and others.
Blind SA, who had initiated legal proceedings to compel the President to comply with his duties and who advocated for many of the changes in the Bill, stated that they will “study the State Attorney’s letter [containing the President’s decision] and the options available to Blind SA”.

Denise Nicholson, librarian at Wits University and well known proponent for signature of the Bills, was obviously disappointed - "One has to question, if he views these issues as unconstitutional, why Ramaphosa only acted in terms of his constitutional obligations after blind people had to take him to the Constitutional Court and the USTR and EU stepped up their economic bullying.  Had he acted responsibly in terms of Section 79(1), maybe these issues could have been resolved by now for the benefit of all stakeholders. Many of the provisions in the Bill would have been extremely helpful for libraries, archives, teaching and learning, research and innovation, during the lockdown period. 


Perhaps the USTR, EU, and multibillionaire conglomerates that are the main beneficiaries of copyright from South Africa, especially from the educational and library sectors, perceive this as a 'win'.  Well, it is indeed a sad day for access to information for education, research, innovation, AI, people with disabilities, digitization programmes and preservation of our cultural heritage, authors and creators, libraries and archives, etc. They all need many of the provisions in the Bill to function in a digital world in the 21st century. 
Of course, everyone wants this matter resolved fairly and efficiently, and for the benefit of all South Africans. But, the President's failure to act decisively and within a reasonable period as required by our Constitution has prejudiced everyone. Access delayed is access denied for all!"
It will not be easy or quick for the National Assembly to deal with the constitutional aspects of the Bill. The processes for section 76 Bills are significantly different from those of section 75 but that may not be the biggest hurdle says Afro-Chic who considers that the National Assembly will likely need to refer the matter back to the Department of Trade and Industry. In snakes & ladders, that is like going from the final tier to the first, chimes in Afro Leo.
Public consultation needs to follow due process which will take time. On a positive note, the whole process has brought copyright onto the national agenda and there is at least agreement on the need for urgent reform. What happens next is likely to require strong leadership and collaboration to take the process forward. There will need to be ladders to make the game move faster.
For those new to action, please read the numerous posts on this blog tracking the progress of CAB and the divergent views on it. Here are some of them:
Image Credit: Jacqui Brown https://www.flickr.com/photos/120600995@N07/14125947172 
Edited on 22 June to include comments from Denise Nicholson
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Friday, 29 November 2019

Afro Chic

Questions and answers surrounding the Copyright Amendment Bill

The Copyright Amendment Bill of 2019 (CAB/the Bill) in South Africa raises many questions surrounding how this piece of pending legislation will function if it is passed into law in its current form. The Bill has caused much controversy among both creators and practitioners and it is important that parties speak out with a view to clear the air and enhance understanding of the possible reforms. Denise Nicholson of the University of Witwatersrand provides a series of questions and answers pertaining to general features of the Bill and the controversial doctrine of fair use. In the interest of disclosure Denise is an active supporter of the CAB in its current form.

The questions posed were the following and you can click here for the full set of answers.

For additional articles and posts on the CAB click here.

General questions on the CAB:

Where can one find the latest version of the Copyright Amendment Bill?
Did any international, regional or domestic policies, documents or research form the framework of the Copyright Amendment Bill?
What was the Farlam Copyright Review Commission (CRC)?
Is the SA Bill in conflict with our international IP treaties?
Is the Bill compliant with the 2013 Marrakesh Treaty?
Is the Bill unconstitutional?
Was the public given adequate time to participate in the process of CAB?
Why was the copyright term not extended to 70 years in the Bill as many other countries have done?
Is the clause on unenforceable contracts legal?
Does the Bill amount to expropriation of local content without compensation?
Will the Bill limit the right to freedom of trade, occupation or profession as provided for in Section 22 of the Constitution?
Will the Bill lead to the Minister of Trade and Industry being able to prescribe the terms of publishing contracts, taking bargaining power away from authors?
Will authors/creators be affected by regulation of collecting societies?
Does reversion of assigned copyright after 25 years negatively affect authors?
Does Section 12B (1)(a) in the Bill encourage plagiarism?
Is the exception for course-packs for educational purposes unique to South African copyright law?
Does the Bill protect data?
Does the Bill allow text and data mining?
Why is the Bill important for all stakeholders?
Does the Bill enable SA to benefit from the 4th Industrial Revolution?
What is Parallel Importation?
Are Parallel Importation Restrictions (PIRs) prescribed in international intellectual property agreements?
Why has the Bill not included provisions for content filters, similar to the recent EU Directive?
What are the President’s obligations with regard to a Bill that has been approved by the National Assembly and the National Council of Provinces?

Questions on the doctrine of fair use

Why has the Bill adopted concepts such as fair use, which originated in other countries?
Will fair use lead to greater recourse to the courts and a dependence on U.S. jurisprudence, causing unnecessary financial problems for authors or publishers?
Under fair use, can a whole textbook be copied and 2000 copies be made for students, without permission?
Are the provisions for fair use in SA Bill much wider than fair use in the U.S.?
Should the fair use provisions in the Bill be accompanied by statutory damages?
Does the PWC Report quoted by rights owners present the true picture about fair use and other provisions in the Bill?
What impact did ‘expanded fair dealing’ (not fair use) have on the Canadian publishing industry?
Did the introduction of fair use negatively affect the publishing industries of countries that adopted it?
Do transformative uses of copyright works compete with the market of the original work of the authors and publishers?
Will every case relating to fair use have to go to the courts for a decision?
Was fair use recommended in the WIPO Study commissioned by the DTI in 2011?
What does the Handbook of South African Copyright Law say about fair use?
Does the Australian Law Reform Commission's Report 122 (2014) entitled "Copyright and the Digital Economy" say anything about fair use?
What is New Zealand’s approach to fair use?
Where can one find more information about fair use?

Brought to you by Afro Chic


Image credit: Iñaki del Olmo 

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Wednesday, 27 November 2019

Afro Chic

The Copyright Amendment Bill- A bid to save the poor?


The Copyright Amendment Bill is a controversial piece of pending legislation that has led to much discord in the IP community. Many seem to think that it completely disharmonises the system of creation and control- one of the hallmarks of copyright law in national and international systems. With a world-first interpretation of the doctrine of fair use creating broad exceptions, there are many instances where creators will stand to have diminished rights over their work.
In a society that has long since prided itself on reward for one’s endeavors, what is the reason for this departure? The difficulty with which lawmakers are faced appears to be that South Africa is also one of the most unequal societies in the world with often only a privileged few being able to benefit from copyrighted goods. Current copyright law precludes unauthorised use of works in most circumstances and this means that in some instances only a small number of people have access to these works- regardless of whether this is in the public interest or not. A prominent example perhaps is that of academic literature. Many students find the cost of books prohibitively expensive and thus cannot benefit from the content of the works. This inhibits their ability to access education, which prevents them from being able to lift themselves out of poverty. This perpetuates cycles of social exclusion, which is contrary to the prescripts of the Constitution- an instrument with which all law must accord.
It is also important that laws in a country reflect one single system of governance. If a country is dedicated to making law and policy that is pro-poor, then it stands to reason that all law and policy ought to lean in this direction. Much is presently in the works to bring this about, with the reimagination of property rights set to hit many different sectors. Phenomena such as expropriation of land without compensation, national health insurance and prescribed assets are all on the table and our government has made its leftist ideology very clear in this regard. The aftermath of Apartheid means it’s time to do business differently- specifically that it is no longer all about business but rather that things ought to be done in the name of uplifting the poor and disadvantaged.
But who will this actually uplift? Most certainly we all ought to work together to create a more equal society, but will the fair use exceptions really accomplish this? Are these provisions of the Bill a justifiable limitation of the rights of creatives? Will knock-on effects such as a potential brain-drain and job loss really uplift the poor or is it government’s responsibility to do so? Is taking away people’s livelihoods truly democratic or is it a dangerous plunge towards a complex socialist system our government cannot properly run? Is taking something away from one person to give to another not more of the proverbial “stealing from Peter to pay Paul” than bringing about substantive equality? Indeed there are many questions and the answers are not clear cut. One can only hope that all of this is thoroughly considered by South Africa’s President before the Bill is signed into law.
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Afro Chic

November Update: CAB

In April 2019, the office of the President of South Africa was petitioned not to sign the Copyright Amendment Bill into law. It was thought by some that the outcomes of the promulgation of this pending legislation would have devastating effects on creators of work as well as the economy at large. There were also, however, many supporters of the Bill. This has divided the IP community to a great extent with parties pitted against each other and indeed there is no clear-cut way to proceed. Today, the Bill remains on the desk of the President, with no real resolution in sight. Thrust frequently into the media and otherwise in the public domain, incensed debate surrounding the Bill continues day after day. The following post will provide links to what is being said in the news in the hopes that readers will gain an understanding of the debate surrounding the Bill.

  • Daily Maverick: DA - Ramaphosa taking South Africa to the brink over Copyright Amendment Bill
  • Timeslive: Ramaphosa queries proposed changes to entertainment industry laws
  • The Conversation: South Africa’s Copyright Bill is good for digital archives: here’s why
  • University of the Witwatersrand: Counsel’s opinion on South African Copyright Amendment Bill and the Constitution
  • New frame: The right to read (link no longer available)
  • The Conversation: New copyright law will benefit South Africans with disabilities
  • Info Justice: Does the South African Copyright Bill promote plagiarism?
  • Info Justice: Are Fair Use Provisions in the SA Copyright Amendment Bill far broader than in the US?
  • University of the Witwatersrand: Decolonising SA’s copyright law
  • Alberton Record: This is why global creative companies are urging Cyril Ramaphosa not to sign the Copyright Amendment Bill (link no longer available)
  • African LII; Copyright and A2K issues (link no longer available)
  • Mail & Guardian: The Copyright Amendment Bill is a recipe for recolonising education
  • Daily Maverick: The Copyright Bill is fundamentally flawed and strips creatives of their rights
  • GroundUp: Copyright Bill will make cost of studying cheaper
  • Business Insider: The US just announced a review of SA’s place in its biggest preferential trade scheme – because its movie and music companies don’t like the controversial Copyright Bill
  • Daily Maverick: DA: Ramaphosa is taking SA to the brink over Copyright Amendment Bill
  • News24: Coalition urges Ramaphosa to refer copyright bill back to Parliament
  • Africa Print: Printing SA calls upon President not to sign Copyright Bill
  • AGOA.Info: R35 billion in South African exports to the USA are at stake in a 'review' just triggered by SA's copyright reform efforts
  • Daily Maverick: US at odds with SA over ‘fair use’ in proposed new copyright law
  • Business Tech: 5 reasons why the US is reviewing its dealings with South Africa
  • Daily Maverick: ‘Fair use’ in new Copyright Bill benefits everyone
  • Tech Dirt: US Government threatening to kill free trade with South Africa after Hollywood complained it was adopting American fair use principles
  • Business Day: Copyright flexibility opens the door to decisive AI advantages
  • Power FM: SAGA Chair Jack Devnarain in PowerFM discussion on rights of actors
  • Mail & Guardian: The new copyright Bill could help unlock the doors of learning and culture
  • Politicsweb: Artists urge President to reject Copyright Amendment Bill – Coalition for Effective Copyright
As is evident from the above there is certainly a great deal of information and opinion out there. Regardless of what your opinion is, reform is important and it is integral that it take the most just and equitable path possible. What do you think should happen with the Bill? Drop your comments below.

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Image Credit: Markus Spiske

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Tuesday, 20 August 2019

Afro-Buff

Resources on the CAB debate: all the links you need!


South Africa: The Copyright Amendment Bill is presently on the desk of the President awaiting signature. There has been furious debate over the Bill, with supporters and detractors uniting on one of two predominant sides to voice starkly different opinions as to what the destiny of the Bill should be. For those who would like to understand the debate, Afro-IP has compiled this post containing links for further reading on the Bill and those engaging in activism surrounding it.

A group called ReCreate has emerged supporting the Bill. Recreate represents a spectrum of creatives, trade unions and members of civil society evidenced by their home page. It drafted an open letter advocating for the Bill to be signed in its current form and recently convened a seminar on Decolonising Copyright where the need for copyrighted items to be made accessible in a manner suited to the South African context was discussed. One of the most hotly-contested aspects of the Bill is the doctrine of “fair use,” which is introduced by the Bill. Recreate argues that this is in the interest of all South Africans and will not prejudice, but rather encourage creatives. It highlights that “fair use” will facilitate the realisation of rights such as the right to education. A further motivation behind their support of the Bill is that it will make copyrighted works more readily available to people with disabilities, for instance by allowing written works to be printable in braille.

The Coalition for Effective Copyright (“Coalition”) came into existence with a view to prevent the Copyright Amendment Bill from being signed into law in its current form. The Coalition represents creatives in the industry who do not support the Bill. Once the National Assembly and National Council of Provinces approved the Bill earlier in 2019, the Coalition formally petitioned the President not to sign it. A seminar was recently held, entitled “On a Knife’s Edge” under the auspices of Adams and Adams where the Coalition was represented by its spokesperson, Collen Dlamini who moderated a panel discussion where the need to alter the course of copyright reform was discussed from an industry perspective. The Coalition claims that the Bill does not pass constitutional muster on the basis that its prescripts amount to deprivation of property without compensation, that it has been tagged incorrectly, that inappropriate authority has been delegated to the Minister of Trade and Industry, that there has been inadequate public consultation, and that it violates the right to freedom of trade and occupation.

The pattern of passage of the Bill through Parliament prior to reaching the president had essentially 5 prongs. Debate of the Bill took place throughout the process, it was released for public comment, public hearings were held, it was passed by the National Assembly and then the National Council of Provinces. As is customary, the Parliamentary Monitoring Group kept records of the process with the debates and submissions of all parties concerned being made publically available. The Department of Trade and Industry, as the ministry responsible for copyright reform, has also made public all of their submissions on the Bill as well as their responses made to issues raised by the public in the parliamentary hearings concerning the Bill. (links no longer available)

According to section 84(2) of the Constitution, the President is faced with a number of choices. He can either sign the Bill into law as it stands, refer it back to the legislature for its consideration and subsequent to this if he deems necessary, refer it to the Constitutional Court for its consideration. As is clearly evident, the proponents and naysayers will not have a meeting of the minds any time soon and it is anyone’s guess what will ensue subsequent to the President making his choice. All that is evident is that seemingly everything in copyright law is up in the air and that a resolution is urgently needed.


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Monday, 12 August 2019

Afro Chic

The Copyright Amendment Bill: Where to from Here? Aluta Continua!


South Africa: The much-discussed Copyright Amendment Bill is in a critical point in the post-legislative phase. It has been passed by the National Assembly and the National Council of Provinces and is currently on the desk of the President. Questions have swirled about its constitutionality and a delay in its being signed has prompted rumours that the President is having doubts but what his options are and where to from here? Afro Chic explores.

As long as the Bill remains a Bill it is a living document, subject to change. Of course, the President can conclude that no changes are required and can sign the Bill into law, promulgating it into an Act as per the provisions of section 84(2)(a) of the Constitution. Such a step is taken when the President has satisfied himself that the Bill passes constitutional muster. This is what the Department of Trade and Industry (the Department/DTI) feels ought to be done. After what they indicate was a long period of consultation and efforts to ensure that the Bill is in compliance with international treaties and standards set by the World Intellectual Property Organisation (WIPO), the Department feels that the Bill ought to be signed into law forthwith and as it stands. It has been averred by sources that the delay in signing could well emanate from there being over 18 Bills awaiting signature and that the President has to to work through all of them, resulting in the process being stalled for now. It has been highlighted that the Bill, once it becomes an Act will serve as an instrument of ratification for the, WIPO Copyright Treaty illustrating compliance with this treaty.

Of course, not everyone agrees. The Coalition for Effective Copyright (the Coalition) has clearly set forth that it feels the Bill is unconstitutional as it is of the view that some of its provisions, for instance those surrounding “fair use,” amount to arbitrary deprivation of intellectual property without compensation; something prohibited by the Constitution in section 25. They are of the opinion that it ought to be referred back to the National Assembly for reconsideration of its constitutionality in terms of section 84(2)(b) of the Constitution with a possible referral to the Constitutional Court for a decision on the Bill’s constitutionality as per section 84(2)(c) on the cards and as done in cases such as Ex Parte the President of the Republic of South Africa In Re: Constitutionality of the Liquor Bill 2000 (1) SA 732 (CC). The Coalition claims that consultation was inadequate and that many of the provisions of the Bill do not accord with the prescripts of international law. In the event that the Bill is passed by the President, the Coalition has indicated that it will mount their own challenge to the Constitutional Court with a view to invalidate the offending sections of the legislation. It would then be sent back to the legislature for it to correct the defect the court has identified and ruled upon, if any.

One means of determining the constitutionality of the Bill lies in section 36 of the Constitution; that is the limitation of rights in terms of law of general application. Rights are not absolute and the exercise of the rights of one individual or group should not “spill over” and violate the rights of another.  Conversely, some limitations can be fair and ought to be permitted. In analysing whether a limitation is justifiable or not, section 36 provides certain factors that must be taken into account, specifically 1(a) the nature of the right; (b) the importance and purpose of the limitation; (c) the nature and extent of the limitation; (d) the relation between the limitation and its purpose; (e) less restrictive means to achieve the purpose. This is a process of balancing of interests that would certainly be utilised in any constitutional challenge by parties on either side.

The path forward is thus far unclear. The President has his options as do the naysayers of the Bill. It would appear that either way, the constitutionality question will play a big role in the process of finalisation. As we wait for the outcome with bated breath, let us hope that the President will be guided by a basis steeped in proper evidence and that due consideration is given to the intricacies and effects of this important Bill. 

Image Credit: Thomas Martinsen

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