Showing posts with label Musical Copyright Society of Nigeria. Show all posts
Showing posts with label Musical Copyright Society of Nigeria. Show all posts

Thursday, 18 August 2011

Jeremy

NCC has its knuckles rapped over raids, seizures against collecting society

In July, Afro-IP hosted this article by Nigerian IP lawyer and business consultant Ayo Solarin, "Collecting royalties in Nigeria: a confused situation?", which reviewed the impact of the decision of the Court of Appeal in Musical Copyright Society Nigeria [MCSN] v Cowpact Disc Technologies & others [CA/L/787/2008] on the controversial question of entitlement to collect music royalties on behalf of local and foreign composers, authors, songwriters and music publishers. Now, in "Nigeria Copyright Commission - Statutory Powers Whittled Down!", Ayo takes us from the gathering of royalties to being raided for the seizure of pirate copies in his review of last month's Federal High Court decision in Musical Copyright Society of Nigeria [MCSN] v Nigeria Copyright Commission [NCC]. Ayo writes:
"Nigeria Copyright Commission - Statutory Powers Whittled Down! 
The decision of the Federal High Court in Musical Copyright Society of Nigeria [MCSN] v Nigeria Copyright Commission [NCC], 25 July 2011, effectively curtailed the statutory powers of NCC to conduct anti-piracy raids and seizure of property under the Copyright Act 2004, s.38, particularly s.38(5) which states: 
“A Copyright Inspector shall have all the powers, rights and privileges of a police officer as defined under the Police Act and under any other relevant enactment pertaining to the investigation, prosecution of or defence of a civil or criminal matter under this Act”. 
The court also determined the constitutionality of NCC using statutory powers under section 39 to deter the owner, assignee or exclusive licensee of copyright from taking legal action to protect its copyrights under section 17. 

MCSN instituted the action against NCC for breach of its fundamental constitutional rights, as owners, assignees and exclusive licensee of copyrights, by NCC which persistently conducted anti-piracy raids on its offices for six years and continue to arrest and harass members of its staff without prosecution. NCC alleged that MCSN is not an approved collecting society under s.39 and therefore deemed an illegal operator under s.39(4), which the NCC is authorised under s.38 to raid and close down. NCC also claimed it received a petition from the International Federation of Phonograph Industry [IFPI] complaining that MCSN infringed the rights of its members by authorizing the reproduction of musical works belonging to them without permission which NCC acted upon in raiding MCSN offices. 
The court held the NCC raids on MCSN offices, arrests of its officers, and seizure of documents were arbitrary and heavy-handed. Commenting on the evidence before the court. the judge said 
“the actions were those of an agency determined to bring to heal an offensive rather than an offending body corporate and its executive officers”. 
NCC was found in breach of its statutory powers in conducting the raids having effected arrests without obtaining an arrest warrant in accordance with the Criminal Procedure Act. In respect of s.38(5) the court held: 
“The phrase ‘the rights and privileges of a police officer’ is a peculiar one. Not all acts of infringement amount to piracy and charging unwarranted into premises on the complaint of a supposed owner or licensee of copyright [IFPI] is illegal and unconstitutional... NCC responded to a complaint of infringement by a party whose alleged rights are supposedly infringed but have not been adjudicated upon, the particulars of the complaint are undisclosed and the infringed works over which they claimed rights are not detailed. NCC acted at the instance of a complainant who declined to pursue civil remedies for whatever reasons”. 

In response to NCC’s allegation that MCSN is an illegal collecting society the court referred to the decision of the Court of Appeal in MCSN v Adeokin Records [2004] where it was established that MCSN is the owner, assignee and exclusive licensee of a large repertoire of musical works through international reciprocal representation agreements entered into with 118 collecting societies worldwide. The court held: 
“NCC has failed to acknowledge, appreciate or welcome the notion and reality that owners and assignees of copyright can enforce property rights without necessarily being registered as collecting societies by the Commission. Registration as a collecting society is not a prerequisite for the enjoyment and exercise of the rights of an owner or exclusive licensee of copyright. Section 44 of the 1999 Constitution guarantees the protection of the appellant’s [MCSN] Property and the offence of purporting to perform the duties of a collecting society without approval of the Commission created by section 39 of the Copyright Act cannot and does not relate to the activities of owners, assignees and exclusive licensees of copyright. Any provision of any statute that in any way seeks to curb the enjoyment of property rights, to subjugate or detract from same without any discernable purpose other than the registration and monitoring of same is unconstitutional and any statutory provision that seeks to criminalise the purposeful protection of property rights by those in whom such rights are vested is unconstitutional, null and void. Whatever else it seeks to do, the provision of section 39 does not seek to hinder, encumber or restrict the private enforcement of property rights by the owners, assignees or exclusive licensees of copyright; nor does it intend to criminalise such private enforcement and to that extent the provision of section 39 is unconstitutional, null and void”. 

In conclusion the court reprimanded NCC, stating: 
“The Copyright Commission was established to reinforce the rights of copyright owners, assignees and exclusive licensees, not to be an institutional hurdle with arbitrary power to restrict the private enjoyment and enforcement of such rights. Copyright owners do not exist at the pleasure of the Commission; or merely to validate its establishment and most definitely the Commission was not established to undermine, denigrate or exert obedience from copyright owners which I find to be the tone and purpose of the 1st respondent’s [NCC] many interventions in the affairs of the applicant [MCSN]. It is for the NCC to justify the denial of an owner, assignee or exclusive licensee of its approval as a collecting society in the light of the constitutional prerogatives attached to the enjoyment of property rights. It is not for the Commission to hound persons, corporate or otherwise, that are legitimately and constitutionally protecting their proprietary interests. The Commission and its principal officers should not be in the business of subverting the property rights of copyright owners. I am persuaded that they have been doing exactly that in their dealings with the applicant herein”. 
The court awarded substantial damages to MCSN. 
The interesting point is how to reconcile the decision of the Federal High Court, a trial court, with that of the Court of Appeal in Compact Disc Technologies Ltd v Musical Copyright Society [MCSN] [2010] where it was held that MCSN has no locus standi to institute the action as owner, assignee and exclusive licensee unless it is registered as a collecting society in compliance with s.17 of the Copyright Act 2004. The appellate court stated in page 15 of its judgment that 
“...by way of an exception to the general rule in question, the court has the liberty (discretion), in some very exceptional deserving cases, to consider circumstances surrounding the case as a whole, including the need to take some evidence before determining the vexed question of locus standi vis-a-vis jurisdiction”. 
But in this case the appellate court did not deem it necessary to exercise that discretion despite the plethora of documentary evidence before the court that MCSN is legitimately protecting its exclusive proprietary rights against infringers based on the undisputed fact that it is the only body corporate, whether a collecting society or not, legally capable to do so. The stringent and restrictive interpretation of s.17 by the appellate court deprived MCSN’s assignees and also millions of exclusive licensees of their inalienable proprietary rights protected by section 44 of the 1999 Constitution of Nigeria. The Federal High Court, on the other hand, took into consideration this most important constitutional issue on property rights vis-a-vis section 39 of the Copyright Act 2004 in coming to its decision. The appellate court was in a position to grant MCSN a right of exemption under s.17(b) but it failed to seize the opportunity to do justice in the spirit of protecting copyright owners against infringers, which is the clear intention and purpose of the Copyright Act, instead the appellate court stuck to the letter of the law turning a blind eye to the resultant injustice".
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Tuesday, 10 August 2010

Afro Ng'ombe

CISAC Welcomes New Africa Region President

Mr. Mayo Ayilaran of Nigeria was announced as the new Africa Region President for CISAC.  Ayilaran has a long history in the collecting society arena and has served for years as the head of MCSN, the Musical Copyright Society of Nigeria.  Full story from the Vanguard here.

Afro-Leo can’t help but wonder how this new development will affect the on-going collecting society saga in Nigeria.  MCSN was a long-standing player in the Nigerian music industry, and many argue that it still is.  However, as reported previously on this blog, the Nigerian Copyright Commission has approved a new collecting society, COSON, as the only collecting society allowed to operate in Nigeria.

Despite this announcement, MCSN has continued to represent its member artists and collect royalties, just as it did when there were no approved collecting societies in Nigeria.  With Ayilaran’s transfer to the CISAC regional offices in Johannesburg, will MCSN continue moving forward?  Will the bad blood between MCSN and COSON affect COSON’s ability to work internationally and obtain important reciprocal agreements with other collecting societies?  Tuyakulanga, we will see.

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Wednesday, 23 December 2009

Afro Ng'ombe

Guinness: Broiled and Embroiled

guinness cc by codaAn ongoing suit against famed brewery Guinness before the Federal High Court of Nigeria has moved from Justice Shaibu to Justice Archibong. Both the original and current justice on the case have experience handling copyright infringement suits, and both have previously heard cases brought by the plaintiff in this case, Musical Copyright Society of Nigeria (MCSN).

Musical Copyright Society Nigeria (MCSN) brought suit against Guinness alleging infringement of musical works in which MCSN holds the rights. Business World, which reported on the case does not say what acts of infringement are alleged, whether Guinness used musical works in advertising, hosted concerts or some other type of infringing act.

Guinness denies any infringement. According to Business World, Guinness claims at the time of the alleged infringement MCSN was not licensed to operate as a collecting society in Nigeria. This is a defense that has worked for other companies in the past. [This defense stems from the long-lasting dispute between MCSN and Performing Musicians Rights Society (PMRS) over who has the authority to collect music royalties in Nigeria. (For more on the history of the dispute, see here; For information on the dispute in the past few months, see allAfrica.com.]

Guinness appears not to be too concerned with the suit in their statement, but then it is rather standard practice for defendants to assure everyone that the suit against them is baseless. Perhaps the company may need to focus right now on recovering from the Dublin factory fire.

Photo credit: “Guinness Pint” cc-by coda

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Friday, 20 November 2009

Afro Ng'ombe

Members of Nigeria’s Musical Copyright Society visit South Africa for Training

In a beautiful example of cross-continent collaboration, CISAC (Confederation of Societies of Authors and Composers), SAMRO (South African Music Rights Organisation) and SARRAL (South African Recording Rights Association Limited) have sponsored two members of Musical Copyright Society of Nigeria (MCSN) to attend a training in South Africa.

The Vanguard reports that the training is focusing on a new copyright administration system called C-Basic that “enables copyright societies to upload data in a standard form for all sister societies.”  Afro-Leo was unable to find any further information about this new system and can only relay that the Vanguard views the CISAC course as a positive investment in the future of Nigeria’s copyright system.  If any readers have more information about the new administration system, please let Afro-Leo know.

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Sunday, 19 July 2009

Afro Ng'ombe

Civil Enforcement of Copyright Finally a Reality in Nigeria

Zain logoThe Nigerian Copyright Act has long provided for civil enforcement against copyright infringement.  However, with a slow-moving justice system, few copyright trained attorneys and a government often noted for its levels of corruption, civil enforcement seemed like a dream more than a reality.  That changed this month.

Musical Copyright Society of Nigeria (MCSN) successfully sued telecommunications provider Zain for copyright infringement, to the tune of 100 million Naira.  (That’s about US$674,000 or £411,000.)  Infringed works were used in advertisements and sold as ringtones.  Nigeria’s Vanguard outlines the history of the case, from refusals to pay for licenses, through settlement attempts and to the court case.

One important aspect of this case is that the infringed songs included some owned by foreign rightholders.  MCSN is responsible for collecting for these songs through its agreements with other collecting societies, such as PRS in the UK and ASCAP in the US.  The fact that MCSN was able to obtain a successful judgment for infringement of foreign-owned songs is good news for international collecting societies, as well as good news for Nigeria.

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Thursday, 16 July 2009

Afro Ng'ombe

2 Face Idibia Sheds Light on Music Industry in Nigeria

Last week, Nigeria’s Vanguard published an interview with music super-star 2 Face Idibia.  One of the top things on 2 Face’s mind is enforcement of Nigeria’s copyright law.  Like many Nigerian musicians, 2 Face acknowledges the ongoing dispute between collecting society MCSN and the government, and he urges the government to support MCSN’s efforts to collect royalties for its members. 

That’s not really news anymore.  Afro-Leo was, however, surprised by two other tidbits contained in the interview.

Nigeria Needs More Entertainment-Knowledgeable People

There is one area where 2 Face completely agrees with the government, although he may not realize it.  Nigeria really needs attorneys trained in copyright and entertainment law areas.

We need more entertainment lawyers, more artistes’ managers and management companies, individuals and corporate bodies that will say to the artist, “Hey, you just concentrate on your talent, and we’ll take care of the rest.”

The Nigerian government also recognizes this as one of the biggest problems in the country.  Without people trained in copyright or entertainment law, the Copyright Law provisions for civil remedies are practically worthless.  This is why the Nigerian Copyright Commission has worked so hard to develop an Intellectual Property course for Nigeria’s Universities.

A New Way to Get Paid

2 Face’s latest album, The Unstoppable, which includes a track featuring R. Kelly, was done as a block deal.  Instead of worrying about payments per album sold, 2 Face was paid a set fee upfront for the album.  This arrangement helps protect 2 Face against Nigeria’s rampant copyright infringement by making the number of albums sold irrelevant to his income.  As he put it in the interview, “My brother, there is no way you will not be told stories, when it comes to wanting to know figures of your album sold by the marketer.”

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Tuesday, 10 February 2009

Afro Ng'ombe

Nigerian Musicians Want Payment for Music Played on Airplanes

logo Musical Copyright Society of Nigeria (MCSN) is asking for N195 million (about 13 million Rand or 1.3 million US dollars) from Virgin Nigeria as payment for the airline's practice of offering music managed by MCSN to passengers aboard its in-country and long-haul flights.   The amount was calculated by MCSN based on the number of flights flown by Virgin Nigeria over the past five years.  [Afro-Leo (or at least this little Leo) isn't sure how music played on airlines usually works or how the suspension of long haul flights at the beginning of 2009 will affect the ability of MCSN to collect outside of Nigeria via its international partners.  Perhaps a reader can offer information on how royalties usually work in this situation.]

"They cannot use copyrighted materials to promote their business and not pay for it. In their long haul flights, they play Nigerian music as well. The worse part of it is that the owners of this music are dying by the day, while they are making profit at their expense." - MCSN CEO, Mayo Ayilaran

While MCSN has completed a court-sanctioned raid of the Virgin Nigeria offices, the collective management society is also discussing plans to bring suit against several telecom companies in Nigeria.  According to Mr. Ayilaran, the telecom companies do not pay royalties for the songs they offer as ring tones.  Most of the cellular providers in Nigeria are part of international corporations who would probably have a particular division for handling licensing issues.  This leaves Afro-Leo wondering if the problem isn't that the telecom companies aren't paying royalties, but rather that (like MTV-BASE in SA) they don't know who to pay due to the ongoing government/collecting societies feud in Nigeria.

Despite the unclear standing of MCSN, it's clear that the society intends to continue attempting to protect its members rights.

(Full story in The Punch here.)

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Friday, 30 January 2009

Afro Ng'ombe

Nigerian Collecting Society Continues to Express Discontent with Copyright Commission

Those following copyright issues in Nigeria are probably familiar with the long-standing battle between Nigeria's collecting societies and the government agency in charge of copyright, the Nigerian Copyright Commission (NCC).  The Daily Independent recently interviewed the Director-General of Musical Copyright Society of Nigeria (MCSN).  Here's a little synopsis of this perspective on the relations between MCSN and the NCC.  [Overview of the collecting society v. NCC battles here.   Update on the overview here.]

MCSN still has animosity towards the NCC, but Mr. Ayilaran, the DG of MCSN, repeatedly expressed his belief that the NCC Director-General is not at fault.  This is a slight shift from previous discussions on the relationship between the NCC and Nigeria's collecting societies.  Ayilaran describes the NCC as a  "stumbling block" for copyright owners and decries the lack of due process involved in piracy raids conducted by the government.  [NOTE: MCSN had one of these raids done on Virgin Nigeria, just days after giving this interview.]

One of the biggest challenges faced by MCSN: the government doesn't recognize copyright as private property, but instead sees it as "part of social public property."  Ayilaran described the government's proper role in copyright:

"The role of government is, if I, as a copyright owner, has [sic] an issue with a radio station which has been playing my music without paying me royalty, the role of the government, when I complain, is to back me up to collect my claim effectively from that radio station."

Although the collecting societies and government haven't worked out all their disagreements yet, MCSN continues to represent its members internationally and enjoys recognition from various copyright organizations, including PRS in the UK.

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