Monday, 3 November 2025

Darren Olivier

King V and the Future of Intellectual Property in an AI Driven Africa

When Governance Meets the Algorithm

King V has landed and this time, it doesn’t tiptoe around technology. I attended the Institute of Directors South Africa’s premiere launch on Friday and am pleased to report that the new corporate governance code from Africa puts AI and data at the centre of ethical leadership.


This is a signal that intellectual property and information governance now live under the same roof. In other words, how we create, protect and share ideas, from patents and trade secrets to training data and algorithms, is now a boardroom issue (as it should be), not just a legal one.


From Ownership to Stewardship


King V reframes the conversation. It treats “data, information and technology” as distinct but connected fields, and insists that boards take responsibility for all three. AI gets its own treatment: boards must establish accountability for the design, use and outcomes of AI systems, guided by values like fairness, transparency, privacy, explainability and human-centricity.


This is governance and IP language. If AI systems are built on data (and most are), then those data are intellectual assets. Their ownership, control and ethical use are as important as any patent or trade mark. Indeed, most exist as copyrights and know-how, creating an urgent need for registers to reflect this.


The shift from ownership to stewardship is subtle but seismic. Organisations are now judged not only by what IP they hold (which, from an African perspective, has always been neglected), but by how responsibly they manage and share it.


The New Currency: Intangible, Intelligent, Invisible


King V recognises what African innovators have known for years: the real wealth isn’t in the factory, it’s in the file.


Algorithms, data sets, local knowledge systems, creative works are now the levers of sustainable value creation.


Under King V, boards are told to link their strategies to the “vitality of socio-ecological systems.” In plainer terms: your business doesn’t exist outside the society and environment that sustain it. That means IP portfolios can’t be hoarded in isolation. They must contribute to broader resilience, climate, education, digital inclusion.


It’s a governance model that works like Ubuntu for IP: we create because we exist.


AI, IP and the Duty to Disclose


Another quiet revolution involves the concept of double materiality. Companies must now report both how sustainability and technology issues affect them and how their activities affect society. For IP teams, this invites new questions:


  • How do our licensing and enforcement policies impact access to innovation?
  • Are our data practices sufficiently fair and transparent?
  • Does our AI deployment erode or enhance public trust?

Expect this to spill into integrated reporting and assurance. Auditors will soon be asking not only how many patents you have, but what those patents do to people and the planet.


Boards, Committees and the IP Connection


King V also re-wires governance structures. Risk committees must include independent members and so must social and ethics committees. For IP intensive organisations, this can be quite something:


  • Risk committees should map and record IP exposure and ownership, from trade secret leaks to algorithmic bias.
  • Social and ethics committees should oversee how IP is used in society, whether your AI respects human rights, diversity and access.
  • Remuneration committees should rethink incentives by rewarding innovation that’s not only profitable but responsible.

It’s governance with conscience.


What This Means for African IP Practice


For Africa’s IP community, King V is both an opportunity and a challenge. It demands that lawyers, IP professionals and policymakers rethink IP as governance infrastructure. That’s a big shift from drafting agreements or filing applications. It’s about aligning IP strategy with ethics, AI governance, value and sustainability.


It also puts pressure on boards to include IP literate voices i.e. people who understand how data rights, algorithms and copyright intersect. If that doesn’t happen, companies’ risk being led by directors who can read a balance sheet but cannot read the value of intangibles. This is especially a challenge in South Africa, where internally generated IP does not even exist on the balance sheet and therefore long awaited.


So, What Now?


A few practical take outs for IP leaders:

  • Put AI and data IP on your board’s risk register.
  • Build IP ethics into your social and ethics committee mandate.
  • Train directors on AI-related IP risk authorship, bias, accountability.
  • Rethink disclosure: create IP asset registers - report how your IP both creates and impacts value.
  • And perhaps most importantly, design IP policies (including enforcement policies) that reflect Ubuntu, not just exclusivity.

Final Thought


King V is very much welcomed as it indirectly positions intellectual property at the forefront of governance in the AI age. This is something that accounting standards on value have failed to do. AI inputs and outputs are all about data which includes intellectual property rights. It is not just about recording these assets in registers, it is also about leading with ethics and transparency, not because regulators demand it, but because trust is now the most valuable form of intellectual property we own. This is very much an opportunity for all those that believe in the value of IP.

Darren Olivier

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Tuesday, 9 September 2025

Afro Leo

Spotlight: LES SA Annual Conference 2025 – Where Innovation, Licensing & Sustainability Meet!

The Licensing Executives Society (LES) South Africa is rolling out the blue carpet for its Annual Conference, set against the stunning backdrop of the Asara Boutique Hotel & Wine Estate in Stellenbosch from 9–11 November 2025.


Why Should You Be There?

  • Innovation, Sustainability & Licensing in a Changing World is the theme, and the line-up is nothing short of world-class. Expect to rub shoulders with global IP leaders, trailblazing entrepreneurs, and the sharpest legal minds in the business.
  • Network, learn, and shape the future of African and global IP. Whether you’re a seasoned practitioner, a startup founder, or a policy enthusiast, this is your chance to connect and collaborate.

What’s On the Agenda?

Registration & Details

  • Fees: R2,500 (members) | R5,000 (non-members)
  • Register now: https://forms.gle/75hbSUvP4rHy49wb9
  • Full programme: https://licensing.co.za/annual-conference-2/
  • Conference hotel: Asara Boutique Hotel (special rates with code LES091125). Alternative accommodation options available.
  • Sponsorships: Platinum, Gold, Silver, and Bronze packages: show your support for African IP excellence!
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Thursday, 4 September 2025

Afro Leo

SOUTH AFRICA: Detaining counterfeit goods: Finding time to do the job

The decision in LA Group v United States Polo Association (USPA) Gauteng High Court, Pretoria, dated 25 August 2025, is, in the words of the court "complex".  For one, one party employed two senior counsel.  Also, procedurally, the matter involved a decision by a single judge, an appeal to a full bench, and yet a further appeal to a full bench, not the Supreme Court of Appeal.  The dispute originated with the detention of allegedly counterfeit hand bags and luggage of USPA.  The latter applied successfully to a single judge court (the court a quo) for an order releasing the consignment concerned.

 

LA Group applied for leave to appeal.  In response, USPA applied to the court a quo in terms of section 18 of the Superior Courts Act for leave to execute the court a quo's decision.  Section 18(1) of said Act provides that an appeal will suspend a decision - but the court may order otherwise.  LA Group's application for leave to appeal was refused, and USPA's application for leave to execute the court a quo's decision was granted.  In these circumstances, section 18(4)(ii) of said Act creates an automatic right of (expedited) appeal to the next highest court.  On appeal to it, a full bench (the first full bench - FFB) set aside the decision granting leave to execute the court a quo's decision.

 

That left unresolved the merits of the court a quo's decision, hence necessitating a second full bench (SFB) appeal, being the case under discussion here.  The latter court indicated that at the heart of the appeal was the legal question whether it was competent for the court a quo to order the release of the imported goods in circumstances where the goods had been detained under the Customs and Excise Act.  The same question that confronted the FFB.

 

The Customs and Excise Act authorises the police to detain goods for the purpose of establishing whether the goods are liable to forfeiture thereunder.  LA Group argued that the application in the court a quo was premature because a party is only entitled to demand the release of goods which have been seized.  The distinction between goods that have been detained and those that have been seized was said to determine the scope and nature of the relief that may be claimed by a person seeking their return.   USPA on the other hand submitted that the police inspected the container carrying the imported goods and that, consequently, at the time that the application was brought the official had finished her investigation.  With the conclusion of the investigation, the continued detention was no longer justified and the imported goods had to be released.  USPA also referred to the decision in Commissioner for the South African Revenue Service v Trend Finance (Pty) Ltd, which stated that in terms of detention, a limitation must be read in that the right to detain goods only endures for a reasonable period of time.  The SFB however held (paragraph 25) that USPA did not establish that a reasonable period of time had passed.

 

The SFB further stated that there was nothing on the papers to indicate that when the application was launched that the police had completed an investigation into whether there were reasonable grounds to suspect that an offence in terms of the Counterfeit Goods Act was committed.

 

The SFB then had regard to the following passage (paragraph 30) of the ruling of the FFB:

 

"A distinction (which was overlooked by the court a quo) must therefore be drawn between the 'detention' and the 'seizure' of goods.  Goods may only be 'seized' after the inspector has investigated the matter and has exercised a discretion that she reasonably suspects that the detained goods  may be counterfeit and only after she has applied for a warrant in order to 'seize' the goods in terms of the Counterfeit Goods Act.”

 

The SFB thus held that the application was prematurely launched and that the court a quo usurped the discretion of the officials in terms of the Customs and Excise Act.  It was accordingly not competent for the court a quo to have ordered the release of the imported goods.

 

The case establishes that a party is only entitled to demand the release of goods that have been "seized".  It also indicates that the courts will provide the relevant officials with sufficient time to determine the status of possible counterfeit goods.  However, the time period must be reasonable.

 

Prof Wim Alberts (University of Johannesburg)


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Wednesday, 20 August 2025

Afro-Buff

SOUTH AFRICA: Aspen secures urgent relief in MYBUCOD vs LENBUCOD dispute

Hey herd, Afro-Buff here, fresh from the gym and flexing through another heavyweight IP bout delivered this week by the Pretoria High Court. This time it’s Aspen vs Adcock, and trust me, the legal bench press was heavy.

 

Aspen, armed with its registered MYBUCOD mark (class 5, pharmaceuticals), took on Adcock’s use of the lookalike LENBUCOD. Back in May 2025, the Court benched Adcock with an interdict stopping LENBUCOD sales, ordering up destruction of packaging, and awarding Aspen its costs.

 

But Adcock wasn’t ready to tap out. They filed an appeal, hoping to stall enforcement. Aspen countered with a section 18(3) Superior Courts Act application, basically asking the Court: “Don’t just give us the win, let us enforce it now, even while Adcock appeals.”

 

Justice Millar agreed, delivering some serious legal gains for Aspen:

 

Exceptional circumstances: If Aspen had to wait until a likely late 2026 appeal, its victory would become a “vacuous gesture.” Trade Mark rights aren’t just for show and meant to protect in real time.

Irreparable harm to Aspen: In just six months, Adcock had pumped R8.4m (around USD500k) worth of LENBUCOD product into the market. Left unchecked, that level of trading would decimate MYBUCOD’s commercial value.

No irreparable harm to Adcock: Adcock knew MYBUCOD was registered and disputed but carried on anyway. If they eventually win on appeal, Aspen has promised to pay damages to repair any harm caused, like a physio on a torn muscle. The court also found that market re-entry was quite possible for Adcock (in the event of a successful appeal).

 

The Court also shut down Adcock’s argument that MYBUCOD was too small to matter: registration alone gives substantive rights, whether or not the brand is a market champion.

 

Why it matters (Afro-Buff’s take)

 

This case is a reminder that:

 

1. Registered rights are muscle, not fluff. You don’t need market bulk to enforce them.

2. Section 18(3) works, like a fast track protein shake keeping your rights strong while opponents try to run down the clock with appeals.

 

For brand rights owners, the message is clear: when an infringer tries to out-lift you by flooding the market during appeal delays, the law gives you the tools to keep your rights flexed and functional. Another reason to protect those trade marks by registering them!

 

Order: Aspen’s May 2025 interdict stays in force. Adcock pays costs (including two counsel).

 

Full judgment: AspenPharmacare Holdings Group and Another v Adcock Ingram Healthcare (Pty) Ltd andOthers (Gauteng High Court, Pretoria, Case No. 017055/2025, 18 August 2025)

.

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Tuesday, 12 August 2025

Afro Leo

Respecting the Lens: Protecting Africa’s Photographic Legacy

In a world where images can be downloaded, reposted, and circulated globally in seconds, the artistry and rights of photographers are too often overlooked. Behind every image lies the vision, effort, and lived experience of its creator. When these works are used without permission, they are not just stolen they are stripped of their context, meaning, and economic value.


A Legacy in Focus: Sam Nzima and the Hector Pieterson Photograph


Few photographs are as iconic, or as powerful, as the image Sam Nzima took of 12-year-old Hector Pieterson during the Soweto Uprising of 1976. It is a photograph that moved the world, exposing the brutality of apartheid and galvanising international opposition.


But Nzima’s journey with that image was not only about history, it was also about ownership. For decades, he fought for recognition and control over the use of his photograph. Without his permission, it was reproduced in countless publications, sometimes stripped of his name, sometimes used in ways that diluted its meaning. His struggle was a reminder that even legendary works by African creators are vulnerable to misuse, particularly abroad.


Protecting this image is not about locking it away. It’s about ensuring it is treated with dignity, that it continues to tell the story it was meant to tell, and that Nzima’s legacy inspires future generations of photographers to use their craft to record history and to insist on the respect and rights they deserve.


The Law Is on the Side of the Creator


In South Africa, photographs are protected as artistic works from the moment they are created. The author, the photographer, holds the copyright unless it has been assigned or falls under specific exceptions in the Copyright Act.


Using a photograph without permission, whether intentionally or not, constitutes infringement. That means reproducing it in a book, posting it on a website, or even using it in a marketing campaign without the creator’s consent is unlawful.


The remedies can include damages, royalties, and court orders to stop further misuse. But beyond legal enforcement lies a moral responsibility: to honour the labour and creativity of the person behind the lens.


Why This Matters for African Creators


African photographers often face two hurdles:

  1. Visibility without control – Their work travels globally but is monetised by others.
  2. Lack of enforcement resources – Many cannot afford the time or expense of pursuing infringement abroad.

The result is a one-way flow of value, African creativity enriching others while its originators are sidelined.


Respecting copyright is not simply a matter of compliance. It’s about cultural integrity. Every unauthorised use erodes the link between an image and its creator, and chips away at the ability of future Sam Nzimas to make a living from their craft.


A Call to Action


If you use photographs, especially those telling Africa’s stories, ask permission. Credit the creator. Pay for the licence. If you are a photographer, know your rights and assert them. The stories you capture are part of our shared history, and your name and livelihood deserve to be tied to them.


Sam Nzima’s lens brought a defining moment of South African history into focus. Let us ensure that future generations of African photographers can do the same, confident that their work will be respected, their rights upheld, and their legacy protected.

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