An excited media release from the World Intellectual Property Organization (WIPO) pressroom proclaims that WIPO Director General Francis Gurry "welcomes moves to enhance protection of traditional knowledge and folklore in Africa". The occasion for this is the adoption by member states of the African Regional Intellectual Property Organization (ARIPO) of a new legal instrument that seeks to protect African traditional knowledge and folklore -- the Swakopmund Protocol on the Protection of Traditional Knowledge and Expressions of Folklore. This is seen as “an historic step for ARIPO’s seventeen member states, and a significant milestone in the evolution of intellectual property.”
The Protocol, designed to preserve and protect the use of Africa’s diverse knowledge systems and cultures for the continent’s sustainable development, will enter into force following ratification by six ARIPO member states.
Tuesday, 31 August 2010
Swakopmund Protocol: history made, but have you got a copy?
Sudan: new regime for customs registration of trade marks
Afro Leo notes that, following the introduction in Sudan of recent regulations on border measures, it is possible now to register trade marks in that country's customs department. This registration will serve as notice to all border customs, who must watch incoming shipments of goods suspected of bearing false or counterfeit products or similar or identical trade marks. Customs officials will confiscate any products alleged of being counterfeit and will inform the registered trade mark owner -- who must then take legal action within 10 days.
To benefit from these regulations the trade mark owner must comply with the following formalities:
- a power of attorney should be provided, legalised up to the Sudanese consulate of the trade mark owner's country;
- a certified copy of trade mark registration certificate in Sudan should also be provided, along with samples or photocopies of the original products.
Source: NJQ & Associates Newsletter, here
Zambia - counterfeit crackdown
Zambia has recently been the focus of anti-counterfeit measures undertaken by Samsung. This article explains how Samsung is tackling the problem using the Zambia Police Intellectual Property Unit following a raid at the Mama Afrika store in Kitwe. An editorial piece contained in the Times of Zambia appeals to the consumer to assist:"The trade may look lucrative but it is only assisting in stifling innovation as local fledgling inventors cannot compete on an even playing field with goods that are brought in the country by traders who often evade tax. Ultimately, poverty and unemployment will increase as only a few hawkers and traders benefit from the trade. There is a more sinister side to this illicit business because by buying the product, you could be financing organised crime such as human trafficking or even terrorism."
Monday, 30 August 2010
Trademark Act Finally assented to in Uganda
The good news for owners of service marks is that the President has finally assented to the Trademarks Act 2010.
This is of great significance because Uganda has been the only country in the East African region that did not provide specific protection for service marks. This should give businesses operating in Uganda a greater sense of confidence. Secondly, as Uganda is second only to Rwanda in terms of being a liberal economy, this will encourage service related franchises. Thirdly, this is one step further in enhancing Uganda's business environment, as reviewed from time to time by entities such as the OECD, World Bank and private agencies such as the Economist.
It goes without saying that passing of this law and full implementation of this Trademarks Act will also reivigorate the fight against counterfeits in Uganda. The question that arises then is, if you have a trademark act that provides sufficient civil and criminal remedies, what purpose does the Anti counterfeit Bill serve? Comments are welcome.
WSJ reports on the Access to Drugs debate
It is always good to see an article on Africa in the Wall Street Journal. Alec van Gelder, who has commented on this blog before writes that:"The drug companies do make easy targets but that doesn't make them villains. The life-saving treatments they create remain Africa's best hope. The misguided battle against pharmaceutical companies' patent rights will only make Africa's health crisis worse..."
Right - seized drugs (AFP)
The full article explains that lack of domestic infrastructure and misguided aid are the real villains (I was able to read article first time without the need to subscribe and hope you can too).
Afro Leo was in a conversation this month with a fork lift driver and building site manager from Durban who explained that every person on his 30 strong team was infected. "You would not notice the difference until they do not take their ARVs. Men capable of lifting bags of cement for an entire shift, die within months." I asked him why they would not take their ARVs and he explained that it was sometimes cost and sometimes supply. For further reading on the "patents v access" debate on this blog, type in "access to drugs" in the search block on Afro-IP.
Meanwhile late last week, Interpol, East Africa announced the seizure of 10 tonnes of counterfeit drugs. Yahoo news article here. The WHO, one of the targets of Alec's article, ironically gets part of the credit. The massive raid nicknamed Mamba III involved targets in Burundi, Kenya, Rwanda, Tanzania and Uganda. Given the recent debate over Kenya's definition of "counterfeit" (which included comment on the WHO's definition of the term) Afro Leo welcomes clarification on whether the confiscated drugs were fakes or actually generics that may fall within the definition of "counterfeit".
General 
Friday, 27 August 2010
Where in Africa is Afro Leo?
It's Friday, sub Saharan Africa is preparing for spring and Afro Leo has decided to take a break from it all. What better than a tropical paradise described in one leading travel information booklet as "so remote even an international fugitive could hide out here". Here are some clues:
- It's nickname is "Cloud Coup Coup" - since independence in 1975 it has experienced over 20 coups
- There are "three in one" and it is the third smallest African nation by area
- It contains 10% of the population of London
- You are bound to be fascinated by stories of Arab traders, Persian sultans, African slaves and Portuguese pirates whilst sipping tea on one of its many beaches
- Alcohol is banned
- If you are an IP owner, there is no local registry but you can publish a cautionary notice to ward off brand pirates and save your registration fees for local spices
- It is a member of the PCT but there is no patent legislation currently in force
- It is the only state to be a member of all of the following: African Union, Francophonie, Organisation of the Islamic Conference, Arab League and Indian Ocean Commission
- Mac Spence, a consultant to Spoor & Fisher recently visited there
Thursday, 26 August 2010
IP Workshops coming up
Thank you, Kyle Jensen, for tipping Afro Leo off about the news that the non-profit organisation for facilitating access to new technologies PIPRA is cooperating in the running of two IP Workshops in Cape Town, on 14 and 15 September.
Both events, which are funded by the United States Patent and Trademark Office, are free to attend. Kyle says they'll be "awesome". The first is a Workshop on IP Strategy for Small and Medium-Sized Enterprises (here); the second is a Workshop on IP and innovation in the South African public sector (here) -- at which there will be some debate and analysis of South Africa's new "Bayh Dole" Act (on which, see the earlier Afro-IP post here).
Tuesday, 24 August 2010
Africa Media Rights Watch initiative to be launched
Discop Africa, which takes place 1-3 September 2010 at the Hilton Nairobi in Kenya, has announced their intention of launching the Africa Media Rights Watch initiative in early 2011. A number of leading broadcasters and content suppliers involved in sub-Saharan Africa have come together to form Africa Media Rights Watch. The initiative is supported by international key players such as Canal+ Overseas, M-Net and Cote Ouest as well as by African associations of broadcasters and content producers.Monday, 23 August 2010
Cell C - the power is not in your C
There has been much controversy over Cell C's (South Africa's third largest mobile operator) brand tinkering in South Africa. First was the contrived You Tube clip (controversy explained by Marklives here) and the second is the refusal of its re-worked logo by CIPRO.
10. Unregistrable marks
(1) Subject to the provisions of any other law, the Registrar may refuse to accept any application upon which any of the following appear:
(a) The words 'patent', 'patented', 'by letters patent', 'registered', 'registered trade mark', 'registered design', 'copyright', 'certified', 'guaranteed' or words to like effect; and
(b) the letters '®', ' ©' or similar combinations which may be construed to import a reference to registration.
Cell C filed 70 applications - the first batch on 1 December last year and the second on 12 July 2010. All of the applications include the potentially fatal copyright symbol. The first batch of 43 have been provisionally refused meaning that CIPRO almost certainly raised an objection under Regulation 10 (in double quick time too - it must be said).
Latest patent case - SARU sued for infringement
CIPRO, the South African patent office, which registers around 12,000 patents and 30,000 trade marks per year year suffers its own backlogs. Although improvements have been reported recently, trade mark applications typically take several years to become registered. Patents, on the other hand, are granted relatively quickly in South Africa, primarily because substantive examination does not take place.
South Africa operates a deposit system for patents; patents are not examined for novelty, obviousness or utility. Consequently, the strength of patent rights are often only tested when the patent is relied on in an infringement case. This also means that a number of cases get embroiled in costly and time consuming pre-merit patent amendment squabbles. This latest patent case between Audiosport International (Pty) Ltd v Soundsure CC and the SA Rugby Union is an example of one of these pre merit squabbles, involving a dispute over a broadcast system.
During November 2008 Audiosport instituted an action for damages against the respondents based on their infringement prior to the expiration their patent. The respondents defended the action counterclaiming for the revocation of the patent on the grounds that it was invalid for lack of novelty or lack of an inventive step. The respondents relied on two prior art documents, US patent no 4, 097, 809 and US patent no 2, 710, 345. The case deals not with the merits of the counterclaim or the infringement but about whether Audiosport could amend their expired patent to more clearly avoid the prior art and lengthy arguments about invalidity at the main hearing. The respondents opposed the amendment on the basis that it was not possible to amend an expired patent.
The Judge concluded that after the term of a patent has expired a patent does not cease to have legal force and effect (he held that for purposes of a claim for damages for infringement the patent still has legal force) and held therefore the other provisions of the Act relating to revocation and amendment continue to apply. In other words, Audiosport could amend their expired patent.
The case, arguably, would not have been necessary if a patent examination system was in place prior to grant. Whilst there are very good reasons why RSA must have a deposit system, the case does illustrate that amending patents can lead to delays and increased costs in enforcing a patent right in South Africa. Thus while the RSA patent system does not suffer the delay problems of the US system, it does somewhat defer issues to the enforcement stage. One way of avoiding this delay (if the patent is also applied for in the US or Europe) would be to amend a patent earlier taking the benefit of examination reports from those Registries and without the scrutiny of an alleged infringer's legal counsel.
Getting back to the CBS story, it is noteworthy that the USPTO recognises the direct correlation between its own delays, innovation and job creation. A reminder of just how important patent and trade mark offices are.
Thursday, 19 August 2010
Libya and Rwanda Improve IP Systems
Two separate announcements highlight improvements in the intellectual property systems of Libya and Rwanda.
Libya’s new Trade Mark Rules
In addition, a resolution passed early last year in Libya has produced tangible results. The Ministerial Resolution No. 316 of May 2009 made some modifications to trademark registrations in the country. This month, the Libyan Trademark Office issued a registration certificate, the first in 30 years. More are expected to follow shortly as the Trademark Office process the large amount of applications received since the Resolution went into effect.
Soon, we will also be seeing the results of Libya’s new trademark law. Already ratified by Parliament, the new trademark law needs implementing regulations and publication in the Official Gazette before entering into effect. The new trademark law expands the scope of trademark protection in the country, lengthens grace periods, recognizes well-known marks and increases penalties for infringement.
Mohammed Ali provides more in-depth information of both points at Mondaq and Saba & Co outlines more changes in the new TM law here.
Rwanda’s Upgrades
WIPO Magazine has a very informative article about the many major changes that Rwanda has instituted in the past year or so. Here are a few highlights:
The reason behind these changes is very encouraging and refreshingly (at least not outwardly) driven by Western-world desires and policies. “It is [therefore] vital that Rwanda has a functioning intellectual property system, to allow people to realize the full value of their creations, and to allow them to access the creations of others.” Afro-Leo is especially excited to see recognition of the importance of access to the creations of others, something that’s far too often overlooked when discussing IP policies.
The Law on Intellectual Property covers patents, copyright, trademarks, geographical indicators, industrial designs, utility models and unfair competition. Laws covering the few missing topics, traditional knowledge and genetic research, are in the works. (It appears not to be available on-line yet. If anyone has a link, Afro-Leo would be very grateful.) There are also new laws in the business area to help build a nurturing atmosphere turning the protected innovation into development.
In addition to new laws, there are also new groups, including a new cross-media collecting society, the Rwanda Society of Authors, a private entity supported by the government.
Afro-Leo urges you to read the whole, well-written, article if you have a chance. (It’s not terribly long.)
Thanks to Cathy Gellis and Professor Michael Scott for the Rwanda article tip.
Wednesday, 18 August 2010
Developed for Africa, by Africa
Coded in Country. It’s a pretty catchy title and very interesting initiative starting to pick up steam across the continent. Started by private software consultancy Dimagi, Coded in Country aims to help increase the amount of high-quality software developed in Africa by Africans.
There are many talented coders in probably every country in Africa. (For two small examples, see Linux Uganda Group and Open Source Zambia.) Yet, as Neal Lash explains in “Beware the Foreign Expert”, a great deal of software designed for use by specific African communities is developed by coders from wealthy countries. Lash goes on to explain why this is a problem and how initiatives like Coded in Country can help.
Coding may seem a little removed from Afro-Leos normal roaring ground, but as IP attorneys and people involved with Intellectual Property around the continent, we probably all know a few young coders and software engineers who could use a little encouragement. These people will be a huge part of the future of their countries, and they will need legal help and guidance. Whether determining if they have complied with the requirements of the open source license on the software they just modified, or deciding if they can patent their new program, they will turn to us for guidance. It is worth looking into programs like Coded in Country, even if just to pass the information along.
Image credit: “Linux” CC-BY-NC-SA by amalthya available at Flickr: http://www.flickr.com/photos/amalthya/31684776/. Warning, some might find the photographer’s caption below the picture a bit offensive. Please be patient with the Muzungu and leave polite comments to correct her mis-assumptions rather than getting upset.
Thursday, 12 August 2010
Logo du cinquantenaire du Cameroun
Pour commémorer le cinquantenaire de son indépendance, le Gouvernement Camerounais a lancé un concnours pour choisir le logo. Seulement le logo retenu et utilisé semble poser un probleme. S'agit-il d'une contrefacon?La polémique naît de la conception de l’avis du concours du logo des cinquantenaires de l’indépendance et de la réunification du Cameroun. Il y est clairement mentionné que seul le meilleur projet fera l’objet d’une matérialisation et d’une utilisation sur les supports et que le «le CNOC conserve l’entière et pleine propriété des projets retenus. L'œuvre primée devient ainsi la propriété de la présidence de la République qui pourra exploiter à toutes fins utiles sur tous les supports de communication».
Or après avoir sélectionné les trois premiers classés par ordre de mérite et primés les lauréats (1er= 5 000 000 FCFA ; 2ème= 3 000 000 FCFA et 3ème = 1 000 000 FCFA), le Chef de l’Etat a plébiscité le troisième comme étant le plus beau logo. Et c’est ce troisième logo qui a été utilisé sur les supports : Question : S’agit-t*il d’une contrefaçon? Pour une analyse complete, cliquer ici
FNB retains stadium naming rights
The High Court decision was widely reported in the press yesterday (see here, for example) and the contractual terms are displayed on FNB's website here. The case will come as a relief to all sponsors and especially those of stadia. Without a copy of the judgement or the arguments by SMSA it is difficult to comment but this looks like a case where the laws of contract have been upheld and that is a good thing for business .... and for all latin/english dictionaries who would be confused if "caveat subscriptor" did not mean "signor beware".
Wednesday, 11 August 2010
Copyright pirates?
The South African daily newspaper, the Times, reports at http://www.timeslive.co.za/local/article595735.ece/SABC-owes-R28m-royalties that the public broadcaster, the South African Broadcasting Corporation (SABC), owes about R28 million in outstanding royalties for music videos that have been shown on its three channels. According to the report, the Recording Industry of South Africa (Risa) provided the SABC with over 12 000 music videos over the past four years, for which no payment has been received. Risa has now issued a high court summons for payment, and is also seeking to interdict the SABC from showing these videos until payment is resolved.
While the facts are (obviously) in dispute, Risa alleges that the SABC last made a payment in 2005. The SABC defence appears to be that it was not party to agreements with Risa, and that its officers did not have the authority to enter into an extension of any agreement. It does not dispute the flighting of the relevant videos.
While most of the comments on the Times story are unrepeatable, or unprintable, one person noted that it was ironic that the very entity that fought against music piracy was itself guilty. He or she should remember that, in terms of our Constitution, everyone is presumed innocent until proved otherwise!
Monday, 9 August 2010
CISAC Welcomes New Africa Region President
Mr. Mayo Ayilaran of Nigeria was announced as the new Africa Region President for CISAC. Ayilaran has a long history in the collecting society arena and has served for years as the head of MCSN, the Musical Copyright Society of Nigeria. Full story from the Vanguard here.
Afro-Leo can’t help but wonder how this new development will affect the on-going collecting society saga in Nigeria. MCSN was a long-standing player in the Nigerian music industry, and many argue that it still is. However, as reported previously on this blog, the Nigerian Copyright Commission has approved a new collecting society, COSON, as the only collecting society allowed to operate in Nigeria.
Despite this announcement, MCSN has continued to represent its member artists and collect royalties, just as it did when there were no approved collecting societies in Nigeria. With Ayilaran’s transfer to the CISAC regional offices in Johannesburg, will MCSN continue moving forward? Will the bad blood between MCSN and COSON affect COSON’s ability to work internationally and obtain important reciprocal agreements with other collecting societies? Tuyakulanga, we will see.
Thursday, 5 August 2010
TIP-Net needs your help and support
Afro Leo has received from Eliamani Laltaika (a former WIPO Indigenous IP Law Fellow) some exciting information about the recently-established Tanzania Intellectual Property Rights Network TIP-Net, which he coordinates.
TIP-Net has now launched the first issue of UBUNIFU (in Swahili, Tanzania's National language, this word means creativity or inventiveness). UBUNIFU -- which you can read here -- will appear quarterly. If you want further information or, better still, want to be involved with TIP-Net, you can email Eliamani here. TIP-Net's website, currently under construction, will be here. If anyone can accelerate this process, can they too get in touch with Eliamani.
Gobbledy-gook or stadiumspeak?
In one of today’s IPKat postings (here), Jeremy Phillips mentions the dispute between the FBI and Wikipedia, over the use of the FBI seal. According to the post, US legislation provides that
‘Whoever possesses any insignia...or any colorable imitation thereof ... shall be fined ... or imprisoned ... or both’ and Jeremy queries whether uploading onto a server can be viewed as possession – also, what other IP rights the FBI has recorded.
If that is overreach, obviously the latest notice in terms of section 15(1) of the South African Merchandise Marks Act 1941 (home of the famous ambush marketing provisions) has not come to his attention. General Notice 704 of 2010, in Government Gazette 33374 of 12th July 2010, prohibits the use of ‘words, devices, logos, pictures and drawings’ of all the stadia built for the FIFA Soccer World Cup 2010 ‘which might cause confusion with any trade, business, profession or occupation or event or in connection with a trade mark, mark or trade description applied to goods, save where the use thereof is by, or [with]sic the authority of the relevant Metro/ Municipality in which the above stadiums are situated’. The notice continues as follows: ‘The prohibition is absolute or sic perpetual’.
I have been forced to quote these provisions as it is impossible to provide and sensible paraphrase. Apart from the technical mistakes – the prohibition is issued in terms of s15(1)(a) of the Act , which merely prohibits use of the national flag or former national flags, rather than in terms of section 15(1)(b); and this latter section prohibits use of a ‘mark, word, letter or figure in connection with any trade…’, the prohibition is breathtakingly wide.
Fortunately road signs, if erected, are usually done so with municipal authority. But what about maps, and postcards? What about tours of the Cape, or any other area – may one not show tourists the edifices built with taxpayer money?
If this is the legacy of the ambush marketing provisions that allowed FIFA to enjoy such a profitable tournament, I dread what is coming next.
Wednesday, 4 August 2010
RSA Passing off decision - cleaning up languages issues?
Tuesday, 3 August 2010
Damsel in distress seeks urgent copyright guidance
A Queen Mary, University of London, LLM student has written to Afro Leo to invoke his aid. She wants to know
(i) are there any cases pertaining to copyright limitations and exceptions in Africa from courts in Africa? (she adds: "I assume there are, hopefully perhaps using the three step test to interpret the case") and if so,If you can make any helpful suggestions, please post them below or email her.
(ii) what is (or are) the most reliable source(s) for such judgments on the internet, in libraries in London and/or commentaries and articles.
Monday, 2 August 2010
WAKA WAKA IP rights dispute update
Christian Dudieu DJOMGA has asked me to publish this post on his behalf relating to IP rights in the song title "WAKA WAKA" which featured during the 2010 World Cup. Christian was involved in the case.As the post is in French, readers are encouraged to use the translation feature on this blog, if French is not your mother tongue.
"La chanteuse colombienne SHAKIRA Isabel Mebarak Ripoll qui a transformé et rebaptisé en WAKA WAKA la chanson « ZANGALEWA» du Groupe Camerounais GOLDEN SONDS pour le compte de la FIFA avait demandé à sa maison de production SONY MUSIC d’entrer en contact avec les auteurs de la chanson originale pour transiger et taire toutes velléités de contentieux en contrefaçon devant les Tribunaux.
A l’origine, cette chanson ZANGALEWA est une complainte de tirailleurs, la lamentation d’une recrue dans les troupes coloniales, qui se plaint de l’âpreté des manœuvres militaires alors qu’il pensait être un privilégié. « Qui t’a appelé ? » (traduction: Zangalewa), lui rétorquent en EWONDO (langue d’une tribu du Cameroun) des militaires plus aguerris.
La chanson ZANGALEWA a été créée en 1985 et produite en 1986 par la maison de production EBOBOLO-FIA.
Une fois la transformation de SHAKIRA Isabel Mebarak Ripoll sorti dans les bacs, Mr ZE BELLA Jean, tête de file de Golden Sounds, a pris contact avec la chanteuse pour lui signifier la violation de son droit d’auteur. Cette dernière a sollicité un arrangement amiable en vue de taire toutes actions en contrefaçon. C’est au cours des pourparlers qu’un élément nouveau entre en ligne de compte : ZE BELLA et autres avaient cédé en 1986 certains de leurs droits patrimoniaux sur la chanson ZANGALEWA à leur producteur, Mr TCHEMENI Claude propriétaire de la maison de production EBOBOLO-FIA PRODUCTIONS, notamment le droit de reproduction.
C’est la veuve de ce dernier (décédé le 17 juillet 2009) qui interpelle les auteurs et après un mois de négociations, les parties ont signé le 07 juillet 2010 à Douala (Cameroun) un protocole d’accord qui met un terme à leurs dissensions et arrêtent les modalités de partage des sommes à recevoir de SONY MUSIC et SHAKIRA.
Actuellement, les parties ont décidé de ne pas attraire SHAKIRA au Tribunal pour contrefaçon de droit d’auteur et de se contenter des sommes que la maison de production de la chanteuse, en l’occurrence SONY MUSIC leur versera, tout en lui reconnaissant le mérite de les avoir mis sous les lumières de l’actualité".
Par Christian Dudieu DJOMGA


